Dr. Kelli Morgan On Alain Locke’s Seminal Text The New Negro
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Originally from Detroit, MI., Dr. Kelli Morgan earned her doctorate in Afro-American Studies and a Graduate Certificate in Public History – Museum Studies in 2017 from the University of Massachusetts Amherst (UMass). A scholar and curator, Morgan has worked in a variety of curatorial, programming, teaching, and research positions at various institutions including The Tyler School of Art at Temple University, Wayne State University, the University of Michigan, the Birmingham Museum of Art, and the Pennsylvania Academy of the Fine Arts (PAFA).
In early 2014, Morgan was awarded a dissertation fellowship from the prestigious Ford Foundation. She was also named the Curatorial Fellow of African American Art at the Birmingham Museum of Art (2014 – 2015), and in 2016 became the inaugural recipient of The Winston & Carolyn Lowe Curatorial Fellowship for Diversity in the Fine Arts at PAFA. As a critical race cultural historian, Morgan specializes in American art and visual culture. Her interdisciplinary research concentrates primarily on historic African American women artists, however her curatorial work often examines, critiques, and theorizes the ways in which American artists, art objects, art history, and art institutions both challenge and reify the systematic mechanisms of anti-Black violence and oppression in the United States. By analyzing the ways in which Americans construct visual discourses, conceptualize images, and sometimes resist these discourses, Morgan’s curatorial and pedagogical practices link Art History, Women’s Studies, African American History, and Museum Studies to create stimulating and culturally sensitive educational opportunities for students and public audiences alike.
Currently, Dr. Morgan is Associate Curator of American Art at the Indianapolis Museum of Art (IMA) at Newfields.
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