{"title":"Detroit Links Exhibition","description":"","products":[{"product_id":"thompson-khalif-baldwin","title":"Thompson, Khalif, (Baldwin)","description":"\u003cp\u003e\"\u003cspan\u003eBaldwin\u003c\/span\u003e\" by Khalif Thompson\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e48 x 46 inches, mixed media limited edition of 50, signed, numbered and painted by the artist. Each print is uniquely hand embellished using acrylic paint, collaged newsprint \u0026amp; handmade papers on archival premium canvas \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e(unframed are shipped loose canvas, will need to be stretched during framing)\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 5px; margin-bottom: 5px; float: left;\" height=\"240x240\" width=\"240x240\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/KhalifBAA2020_crop_240x240.jpg?v=1584319595\"\u003e\u003c\/div\u003e\n\u003cp\u003eWorking primarily through portraiture and figuration, I build open and atmospheric compositions rendered from found or handmade materials, creating environments that host concepts that interest me concerning self-identity, race, spirituality, psychology and indefinable things that make each person an individual. In response to the ambition and power of the art historical and contemporary figurative work, I impart sensitive and emotionally rich works that add to my own experiences. I bring to my figurations a probing element of paper-making and collage. I tend to work large-scale and enjoy layering the surface, informing the structure and emanating a stream of consciousness of sorts. I describe an inner dialogue towards my subjectivity, using text and journal entries, as well as metaphorical imagery. The paintings are active in exploring different modes of working that offer a hands-on approach to molding the material. The impermanence of life and its creations are an engrossing enigma within my paintings and therefore I attempt to augment presence. Through the representation of my immediate surroundings, relationships, memories, thoughts, and sentiments I provide them with importance and influence. In all, my work is a pure and consummate search for who I am and an eloquent practice of telling my story.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Khalif Thompson","offers":[{"title":"#37\/50 UNFRAMED","offer_id":51891475218714,"sku":"sbo__baldwin_khalif_thompson_limited_edition_unframed-37of50","price":3500.0,"currency_code":"USD","in_stock":false},{"title":"#36\/50 FRAMED","offer_id":51891475251482,"sku":"sbo__baldwin_khalif_thompson_limited_edition_framed-36of50","price":4150.0,"currency_code":"USD","in_stock":true},{"title":"#31\/50 FRAMED","offer_id":51891475284250,"sku":"sbo__baldwin_khalif_thompson_limited_edition_framed-31of50","price":4150.0,"currency_code":"USD","in_stock":false},{"title":"#39\/50 UNFRAMED","offer_id":52228429807898,"sku":"sbo__baldwin_khalif_thompson_limited_edition_unframed-39of50","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/products\/JamesBaldwincrop.jpg?v=1601751975"},{"product_id":"dorsey-najee-fond-memories","title":"Dorsey, Najee (Fond Memories)","description":"\u003cp\u003e\u003cspan\u003e\"Fond Memories\" by Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e30 x 20 inches, photomontage, digital collage on premium archival paper, limited edition of 10 signed and numbered, pigment print on hahnemuhle fine art baryta paper 325 gsm  -- unframed\u003c\/span\u003e (2024)\u003c\/p\u003e\n\u003ch2 data-start=\"200\" data-end=\"231\"\u003eAbout the Photomontage Works\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/images_404f9632-2b79-41b3-ad86-d827c58e66f5_240x240.jpg?v=1772706339\" alt=\"\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp data-start=\"233\" data-end=\"534\"\u003eNajee Dorsey’s photomontage works are original fine art prints created through a deliberate process of visual construction. Each composition is assembled from layered photographic elements, textures, and symbolic references to form a unified image that does not exist in reality prior to its creation.\u003c\/p\u003e\n\u003cp data-start=\"536\" data-end=\"750\"\u003eThese works are not reproductions of paintings or single photographs. There is no preexisting artwork being duplicated. The image is conceived, constructed, and resolved specifically for editioned print production.\u003c\/p\u003e\n\u003cp data-start=\"752\" data-end=\"1041\"\u003eMuch like a traditional printmaker develops a plate, stone, or screen as a matrix for an edition, Dorsey builds a visual matrix through layered assembly. The edition is the original and intended form of the artwork — not secondary to another medium, but the primary expression of the idea.\u003c\/p\u003e\n\u003cp data-start=\"1043\" data-end=\"1123\"\u003eEach work is produced in a controlled, limited edition and signed by the artist.\u003c\/p\u003e\n\u003chr data-start=\"1125\" data-end=\"1128\"\u003e\n\u003ch2 data-start=\"1130\" data-end=\"1154\"\u003eCollector FAQ Section\u003c\/h2\u003e\n\u003ch3 data-start=\"1156\" data-end=\"1190\"\u003eAre these works reproductions?\u003c\/h3\u003e\n\u003cp data-start=\"1191\" data-end=\"1377\"\u003eNo. These are original fine art prints. The image does not exist before the edition is created. There is no painting or single photograph being copied. The print is the original artwork.\u003c\/p\u003e\n\u003chr data-start=\"1379\" data-end=\"1382\"\u003e\n\u003ch3 data-start=\"1384\" data-end=\"1408\"\u003eIs this photography?\u003c\/h3\u003e\n\u003cp data-start=\"1409\" data-end=\"1661\"\u003eWhile photographic elements may be incorporated, the final composition is constructed through layering, repositioning, scaling, and integration of multiple sources. The process aligns more closely with fine art printmaking than traditional photography.\u003c\/p\u003e\n\u003chr data-start=\"1663\" data-end=\"1666\"\u003e\n\u003ch3 data-start=\"1668\" data-end=\"1725\"\u003eWhat makes this different from a giclée reproduction?\u003c\/h3\u003e\n\u003cp data-start=\"1726\" data-end=\"1968\"\u003eA reproduction duplicates an artwork that already exists in another form. Dorsey’s photomontage works are conceived specifically for print. The edition is the first and only intended form of the artwork, produced in a limited, controlled run.\u003c\/p\u003e\n\u003chr data-start=\"1970\" data-end=\"1973\"\u003e\n\u003ch3 data-start=\"1975\" data-end=\"2009\"\u003eAre the works limited edition?\u003c\/h3\u003e\n\u003cp data-start=\"2010\" data-end=\"2150\"\u003eYes. Each composition is released in a signed, limited edition. Once the edition including proofs (A.P) sells out, no additional prints of that image are produced.\u003c\/p\u003e\n\u003chr data-start=\"2152\" data-end=\"2155\"\u003e\n\u003ch3 data-start=\"2157\" data-end=\"2206\"\u003eHow should collectors categorize these works?\u003c\/h3\u003e\n\u003cp data-start=\"2207\" data-end=\"2442\"\u003eThese works fall within the lineage of contemporary fine art printmaking. The process is rooted in image construction and matrix development, aligning conceptually with lithography, screenprint, and other traditional print disciplines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"203\" data-end=\"295\"\u003e\u003cstrong data-start=\"203\" data-end=\"295\"\u003eAs editions sell through and availability decreases, prices increase accordingly.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Najee Dorsey","offers":[{"title":"LE 8 of 10","offer_id":51646636785946,"sku":"sbo_fond_memories_limited_edition_najee","price":3500.0,"currency_code":"USD","in_stock":true},{"title":"LE 9 of 10 Framed","offer_id":51646639964442,"sku":null,"price":4000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/fond_memoriescrop.jpg?v=1704729440"},{"product_id":"dorsey-najee-born-liberator","title":"Dorsey, Najee (Born Liberator)","description":"\u003cp\u003e\"Born Liberator\" \u003cspan\u003e b\u003c\/span\u003e\u003cspan\u003ey Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e18 x 20 inches, photomontage pigment print on premium archival paper, edition of 10 (2023) --unframed\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-start=\"200\" data-end=\"231\"\u003eAbout the Photomontage Works\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/images_404f9632-2b79-41b3-ad86-d827c58e66f5_240x240.jpg?v=1772706339\" alt=\"\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp data-start=\"233\" data-end=\"534\"\u003eNajee Dorsey’s photomontage works are original fine art prints created through a deliberate process of visual construction. Each composition is assembled from layered photographic elements, textures, and symbolic references to form a unified image that does not exist in reality prior to its creation.\u003c\/p\u003e\n\u003cp data-start=\"536\" data-end=\"750\"\u003eThese works are not reproductions of paintings or single photographs. There is no preexisting artwork being duplicated. The image is conceived, constructed, and resolved specifically for editioned print production.\u003c\/p\u003e\n\u003cp data-start=\"752\" data-end=\"1041\"\u003eMuch like a traditional printmaker develops a plate, stone, or screen as a matrix for an edition, Dorsey builds a visual matrix through layered assembly. The edition is the original and intended form of the artwork — not secondary to another medium, but the primary expression of the idea.\u003c\/p\u003e\n\u003cp data-start=\"1043\" data-end=\"1123\"\u003eEach work is produced in a controlled, limited edition and signed by the artist.\u003c\/p\u003e\n\u003chr data-start=\"1125\" data-end=\"1128\"\u003e\n\u003ch2 data-start=\"1130\" data-end=\"1154\"\u003eCollector FAQ Section\u003c\/h2\u003e\n\u003ch3 data-start=\"1156\" data-end=\"1190\"\u003eAre these works reproductions?\u003c\/h3\u003e\n\u003cp data-start=\"1191\" data-end=\"1377\"\u003eNo. These are original fine art prints. The image does not exist before the edition is created. There is no painting or single photograph being copied. The print is the original artwork.\u003c\/p\u003e\n\u003chr data-start=\"1379\" data-end=\"1382\"\u003e\n\u003ch3 data-start=\"1384\" data-end=\"1408\"\u003eIs this photography?\u003c\/h3\u003e\n\u003cp data-start=\"1409\" data-end=\"1661\"\u003eWhile photographic elements may be incorporated, the final composition is constructed through layering, repositioning, scaling, and integration of multiple sources. The process aligns more closely with fine art printmaking than traditional photography.\u003c\/p\u003e\n\u003chr data-start=\"1663\" data-end=\"1666\"\u003e\n\u003ch3 data-start=\"1668\" data-end=\"1725\"\u003eWhat makes this different from a giclée reproduction?\u003c\/h3\u003e\n\u003cp data-start=\"1726\" data-end=\"1968\"\u003eA reproduction duplicates an artwork that already exists in another form. Dorsey’s photomontage works are conceived specifically for print. The edition is the first and only intended form of the artwork, produced in a limited, controlled run.\u003c\/p\u003e\n\u003chr data-start=\"1970\" data-end=\"1973\"\u003e\n\u003ch3 data-start=\"1975\" data-end=\"2009\"\u003eAre the works limited edition?\u003c\/h3\u003e\n\u003cp data-start=\"2010\" data-end=\"2150\"\u003eYes. Each composition is released in a signed, limited edition. Once the edition including proofs (A.P) sells out, no additional prints of that image are produced.\u003c\/p\u003e\n\u003chr data-start=\"2152\" data-end=\"2155\"\u003e\n\u003ch3 data-start=\"2157\" data-end=\"2206\"\u003eHow should collectors categorize these works?\u003c\/h3\u003e\n\u003cp data-start=\"2207\" data-end=\"2442\"\u003eThese works fall within the lineage of contemporary fine art printmaking. The process is rooted in image construction and matrix development, aligning conceptually with lithography, screenprint, and other traditional print disciplines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"203\" data-end=\"295\"\u003e\u003cstrong data-start=\"203\" data-end=\"295\"\u003eAs editions sell through and availability decreases, prices increase accordingly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"297\" data-end=\"320\"\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Najee Dorsey","offers":[{"title":"Unframed","offer_id":49590937256218,"sku":"sbo_najee_born_liberator-1","price":1900.0,"currency_code":"USD","in_stock":true},{"title":"Framed","offer_id":49590937288986,"sku":"sbo_najee_born_liberator-2","price":2400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/IMG-20240111-WA0001_a304ccec-94b8-48b7-bba7-e09865d53556.jpg?v=1705517800"},{"product_id":"lawrence-jacob-untitled-the-birth","title":"Lawrence, Jacob, (To Preserve Their Freedom)","description":"\u003cp\u003e\"To Preserve Their Freedom\" by Jacob Lawrence\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e22 x 32 1\/8 in\u003c\/span\u003e\u003cspan\u003e inches, silkscreen on paper -- Framed with Museum Grade Glass\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/Jacob-Lawrence-9375562-1-402_compact.jpg?3543\" style=\"float: left; margin: 5px 8px 2px 5px;\"\u003e\u003c\/em\u003eJacob Lawrence\u003c\/strong\u003e, one of the most important artists of the 20th century, was born in 1917 and is best known for his series of narrative paintings depicting important moments in African American history. Lawrence was introduced to art when in his early teens, Lawrence's mother enrolled him in Utopia Children's Center, which provided an after-school art program in Harlem. By the mid-1930s, he was regularly participating in art programs at the Harlem Art Workshop and the Harlem Community Art Center where he was exposed to leading African American artists of the time, including Augusta Savage and Charles Alton, the director of the Harlem Art Workshop and, later, professor of art at Howard University. At the community art centers, Lawrence studied African art, Aaron Douglas's paintings and African American history. With the help and encouragement of Augusta Savage, Lawrence secured a scholarship to the American Artists School and later gained employment with the WPA, working as a painter in the easel division. Lawrence began painting in series format in the late 1930s, completing 41 paintings on the life of Toussaint L'Ouverture, the revolutionary who established the Haitian Republic. Other series followed on the lives of the abolitionists Frederick Douglass, Harriet Tubman, and John Brown. The Migration of the Negro, one of his best known series, was completed in 1941. The most widely acclaimed African American artist of this century, Lawrence continued to paint until his death in 2000.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"490\" height=\"330\" src=\"https:\/\/www.youtube.com\/embed\/-ac6OZkyYxg\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Yesrod","offers":[{"title":"47 of 99","offer_id":51667943784730,"sku":"sbo_untitled_the_birth_jacob_lawrence_of_198","price":9000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/to-preserve-their-freedom-from-the-toussaint-l-ouverture-series-1988.jpg?v=1770399733"},{"product_id":"catlett-elizabeth-congo-square","title":"Catlett, Elizabeth, (Congo Square)","description":"\u003cp\u003e\"Congo Square\" by Elizabeth Catlett\u003c\/p\u003e\n\u003cp\u003e29 x 35 inches, silkscreen print on paper, limited edition of 500, signed (2000) --framed\u003c\/p\u003e\n\u003cp\u003eIn a career spanning more than 70 years, \u003cstrong\u003eElizabeth Catlett\u003c\/strong\u003e has created sculptures that celebrate the heroic strength and endurance of African-American and Mexican working-class women. With simple, clear shapes she evokes both the physical and spiritual essence of her subjects. Her hardy laborers and nurturing mothers radiate both power and a timeless dignity and calm. Whether working in wood, stone, bronze, or clay, Catlett reveals an extraordinary technical virtuosity, a natural ability to meld her curving female forms with the grain, whorls, color, or luster of her chosen medium. The beauty of her subjects is matched by the beauty she reveals in her sculptural materials.\u003c\/p\u003e\n\u003cp\u003eThroughout her career, Catlett has been a political progressive committed to improving the lives of African-American and Mexican women, and she has often used her art explicitly to advance their cause. She has also protested, picketed, and even been arrested in her quest to win justice for those she describes as \"my people.\" Moving from the United States to Mexico in 1946, she was eventually identified as an \"undesirable alien\" by the U.S. State Department. For nearly a decade she was barred from visiting the United States.\u003c\/p\u003e\n\u003cp\u003eDespite these struggles, Catlett's art reveals no trace of bitterness or despair. Indeed, she has remained true to the universal, life-affirming themes that first animated her sculpture in the 1940s'the beauty of the human form and the nobility of the human condition. At age 95, she continues to create, guided by those unshakeable ideals.\u003c\/p\u003e","brand":"BAIA Holding","offers":[{"title":"105\/500","offer_id":50397713367322,"sku":"sbo_catlett_elizabeth_congo_square","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/congosquare.png?v=1741371582"},{"product_id":"ellison-michael-shake-it-like-you-dont-care","title":"Ellison, Michael, (The Turning Point)","description":"\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\"The Turning Point\" by Michael Ellison \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e30 x 22 inches (image size), Color reduction print on paper, artist's proof edition, 1986-- framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BAIA Holding","offers":[{"title":"Default Title","offer_id":50913378402586,"sku":"sbo_ellison_michael_the_turning_point","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/PHOTO-2025-07-31-14-35-52_8bf9d680-9184-4689-af86-f95ce6312709.png?v=1753997699"},{"product_id":"dorsey-najee-inkwell","title":"Dorsey, Najee, (Inkwell)","description":"\u003cp\u003e\"Inkwell\" \u003cspan\u003e b\u003c\/span\u003e\u003cspan\u003ey Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e22 x 15.75 inches, photomontage on premium archival paper, limited edition of 10 - unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"float: left;\"\u003e\u003cbr\u003e\u003cimg style=\"float: left; margin: 2px 5px 2px 2px;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/BAIA_poster_letter_crop_medium.jpg?v=1480459126\" alt=\"\"\u003eI’ve enjoyed a successful career as a mixed media artist whose works are deeply rooted in African-American Southern culture. Recently, i’ve entered a new period, one that incorporates found materials into clay sculpture. While I began sculpting in the early 1990s, incorporating works in clay and assemblage of modern and contemporary finds from thrift stores and flea markets became a new muse in December 2015. Working constantly to keep up with inspiration, I’ve created more than fifty pieces in the last six months. Materials incorporated into sculptures invoke a sense of place, whether using burn wood from Columbus’ Swift Mill fire where I currently reside or decades-old bamboo canes from New Orleans. Though styles range from realism to abstract, each piece shares the vitality and powerful presence that can only be expressed in three-dimensional art. #movingearth #playingwithmud #najeedorseyart\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBorn and raised in the Delta and now a resident of the Columbus area, Najee Dorsey has shown his work in numerous solo and group exhibitions. He has been the recipient of awards that include a 2006 Patrons Purchase Award from the Polk Museum of Art. His work can be found in the collections of Charles H. Wright Museum; Syracuse University; the African American Museum in Dallas, TX; the Marietta Museum of Art, FL; and Liberty Bank and Trust Company in New Orleans, LA. In 2010, Dorsey created the website Black Art in America (BAIA), the leading global social network and resource for African-American visual artists, collectors, industry leaders, and arts enthusiasts.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Najee Dorsey","offers":[{"title":"1\/10 - framed","offer_id":51123756728602,"sku":"sbo_najee_dorsey_inkwell-1_framed","price":2500.0,"currency_code":"USD","in_stock":true},{"title":"2\/10 - unframed","offer_id":51123756761370,"sku":"sbo_najee_dorsey_inkwell-2","price":2000.0,"currency_code":"USD","in_stock":true},{"title":"3\/10- unframed","offer_id":51144458633498,"sku":"sbo_najee_dorsey_inkwell_3","price":2000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/WhatsAppImage2025-09-23at10.10.54_43f3491a.jpg?v=1758911377"},{"product_id":"bearden-romare-autumn-of-the-rooster","title":"Bearden, Romare, (Autumn of the Rooster)","description":"\u003cp\u003e\u003cb\u003e\u003cspan\u003eROMARE BEARDEN (1911\u003c\/span\u003e\u003c\/b\u003e\u003cb\u003e\u003cspan\u003e-1988)\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003ci\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"Polaris-Header-Title_2qj8j\"\u003e\"Autumn of the Rooster\" by Romare Bearden\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e22.25 x 16.75 inches (image size)  24.25 x 29.75 inches framed, Color lithograph on arches paper, limited edition 39 of 175 -- framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eROMARE BEARDEN (1914-1988)\u003cb\u003e \u003c\/b\u003e\u003cspan\u003ewas born on September 2, 1911, to (Richard) Howard and Bessye Bearden in Charlotte, North Carolina, and died in New York City on March 12, 1988, at the age of 76. His life and art are marked by exceptional talent, encompassing a broad range of intellectual and scholarly interests, including music, performing arts, history, literature and world art. Bearden was also a celebrated humanist, as demonstrated by his lifelong support of young, emerging artists.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"blackartinamerica","offers":[{"title":"39 of 175","offer_id":51244313805082,"sku":null,"price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/WhatsAppImage2025-10-25at14.01.58_f447221a.jpg?v=1761417336"},{"product_id":"andrews-benny-amen-corner","title":"Andrews, Benny, (Amen Corner)","description":"\u003cp\u003e\"Amen Corner\" by Benny Andrews\u003c\/p\u003e\n\u003cp\u003e30 x 22.5 inches, offset lithograph on paper, limited edition of 50\u003cspan\u003e -- \u003c\/span\u003eframed\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"float: left; margin: 5px 8px 5px 5px;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0234\/6103\/files\/bennyandrews_compact.jpg?10194\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBenny Andrews\u003c\/strong\u003e (1930-2006) Benny Andrews, nationally recognized as an artist, teacher, author, activist, and advocate of the arts, grew up in rural Morgan County. Benny Andrews, a native of Plainview, began experimenting with collage as a student at the Art Institute of Chicago during the 1950s. His 1994 work Preacher, oil and collage on canvas (48'' x 28''), is housed at the Morris Museum of Art in Augusta.Preacher Although he moved to New York in 1958, his formative years in Georgia continued to inform his work. Andrews explored American life in his collages, prints, paintings, and drawings by fusing memory and imagination. Andrews was born on November 13, 1930, in Plainview, a small farming community three miles from Madison. His mother, Viola, instilled in her ten children the importance of education, religion, and freedom of expression; his father, George, a self-taught artist, fueled their creativity with his drawings and illustrations. Although the entire family worked in the cotton fields as sharecroppers, Viola Andrews was adamant that her children attend school. Andrews's attendance was sporadic because he went only when he wasn't needed in the fields or when it rained. \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BAIA Holding","offers":[{"title":"30 of 50","offer_id":51667963576602,"sku":"sbo_benny_andrews_amen_corner","price":5200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/1989_14_4_l.jpg?v=1770400626"},{"product_id":"smith-beverly-information-wanted-nina-ada-suky","title":"Smith, Beverly, (Information Wanted - Nina, Ada \u0026 Suky)","description":"\u003cp dir=\"ltr\"\u003eInformation Wanted - Nina, Ada, \u0026amp; Suky by Beverly Smith\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e31.75 x 55 inches image size (framed size 44 x 66..5\") hand embellished reproduction limited edition artist proof #02 of 06 --framed\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"float: left;\"\u003e\u003cstrong\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/4012228286_4601fa1277_medium.jpg?4508\" style=\"float: left; margin: 5px 8px 2px 5px;\"\u003eBeverly Smith\u003c\/strong\u003e, my creative works originate from my love of African and Southern American textiles. I choose to express myself through quilts because of their historic and functional significance. Quilts not only provide warmth and comfort, but can act as documentation of unaltered truths.\u003c\/p\u003e\n\u003cp dir=\"ltr\" style=\"float: left;\"\u003e I enjoy preserving my Southern heritage by emulating the custom of layered garment quilt tops. I am particularly interested in garments known as White Welsh Plains, created specifically for Blacks during slavery to restrict certain clothing, based on the South Carolina Act of 1735. My designs usually start with a visual expression that is a contradiction or connection to time and circumstances that provide an opportunity to give voice to the richness of the spirit of human survival. I\u003cspan style=\"font-size: 0.875rem;\"\u003e am always searching for ways to add another dimension to my works. I continue to seek out endless opportunities to explore various topics and to express myself on many levels.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Beverly Y Smith","offers":[{"title":"#02\/26 FRAMED","offer_id":52098887909658,"sku":"sbo_information_wanted_nina_ada_suky_beverly_smith_embellished_artist_proof_2of6","price":4500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/WhatsApp_Image_2026-06-04_at_10.55.10_AM.jpg?v=1781114058"},{"product_id":"edwards-lynthia-wisteria","title":"Edwards, Lynthia, (Wisteria)","description":"\u003cp\u003e\"Wisteria\" by Lynthia Edwards\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e22.5 x 15 inches, mixed media collage on paper, (2026) --framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLynthia Edwards is a Birmingham, Alabama-based multidisciplinary artist \u003cbr\u003ebest known for her collage works that present the complex emotions \u003cbr\u003eassociated with Black girls’ experiences in the American South. Edwards \u003cbr\u003esources images from her current life both to channel the racial and gendered \u003cbr\u003eisolation she experienced as a child and express the limitations of her strict, \u003cbr\u003ePentecostal upbringing, with her collage subjects as distinctive versions of her \u003cbr\u003eyounger self.  \u003cbr\u003e\u003cbr\u003eBorn in 1978 in Alexander City, Alabama, Edwards studied at the Art Institute \u003cbr\u003eof Atlanta (AA in Graphic Design, 1998), Auburn University of Montgomery \u003cbr\u003e(B.A., Art Education, 2002), and the University of Alabama at Birmingham \u003cbr\u003e(M.A. Art Education, 2012). She is the recipient of many awards, including \u003cbr\u003ethe Purchase Award from the Alabama Art Colony in both 2005 and 2006, \u003cbr\u003eand “Best of Show” in the Montgomery Art Guild and Regions Bank \u003cbr\u003eExhibition in 2019. In 2021, she earned the Alabama State Council for the \u003cbr\u003eArts Fellow Award.  \u003cbr\u003e\u003cbr\u003eIn 2019, Edwards participated in the Gee’s Bend Quilters Retreat at the \u003cbr\u003eAlabama Folk School in Nauvoo, Alabama. She later exhibited alongside \u003cbr\u003efamed quilters Tinnie and Minnie Pettway and Claudia Pettway Charley in \u003cbr\u003eGood Trouble: Civil Rights Past and Present (February 2-March 26, 2021) at \u003cbr\u003ethe Kentuck Art Center in Northport, Alabama. Other recent exhibitions have \u003cbr\u003ebeen presented at Untitled Art Miami Beach 2021, the Gadsden Museum of \u003cbr\u003eArt and Tennessee Valley Museum of Art. Believing in its transformative \u003cbr\u003epower, she taught art for 13 years to adjudicated male offenders at the \u003cbr\u003eAlabama Department of Youth Services School District.  \u003cbr\u003e\u003cbr\u003eEdwards’ work can be found in numerous public collections and the private \u003cbr\u003ecollections of philanthropist Beth Rudin DeWoody, businessman Ric Lewis, \u003cbr\u003eand finance executive Reginald Browne. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCV:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVISUAL ARTIST \u0026amp; EDUCATOR \u003cbr\u003eEducation \u003cbr\u003e* Master of Arts in Art Education | University of Alabama at Birmingham (2012) \u003cbr\u003e* Bachelor of Arts in Art Education | Auburn University at Montgomery (2002) \u003cbr\u003e* Associate of Arts in Graphic Design | Art Institute of Atlanta (1998) \u003cbr\u003eTeaching \u0026amp; Professional Experience \u003cbr\u003eArt Educator \u003cbr\u003ei3 Academy \/ Woodlawn Community Charter School | Birmingham, AL \u003cbr\u003e* Facilitates visual arts instruction for elementary students, emphasizing the \u003cbr\u003etransformative power of creativity. \u003cbr\u003e* Develops curriculum that integrates local cultural history with contemporary \u003cbr\u003eartistic practices. \u003cbr\u003eArt Instructor \u003cbr\u003eAlabama Department of Youth Services School District | Mount Meigs, AL | (13 \u003cbr\u003eYears) \u003cbr\u003e* Utilized art as a therapeutic and rehabilitative tool for adjudicated male \u003cbr\u003eoffenders. \u003cbr\u003e* Developed specialized programming to foster self-expression and vocational \u003cbr\u003eskill-building within a secure facility. \u003cbr\u003e    \u003cbr\u003eSelected Exhibition History \u003cbr\u003eSolo Exhibitions \u003cbr\u003e* 2024 | Zippity Doo Da, Scope Miami Beach (Presented by Richard Beavers Gallery) \u003cbr\u003e* 2023 | Baptism Sunday, Richard Beavers Gallery, New York, NY \u003cbr\u003e* 2021 Solo Presentation, Gadsden Museum of Art, Gadsden, AL \u003cbr\u003e* 2021 Solo Presentation, Tennessee Valley Museum of Art, Tuscumbia, AL \u003cbr\u003eSelected Group Exhibitions \u0026amp; Art Fairs \u003cbr\u003e* 2025 | Black Joy is a Revolutionary Act, Richard Beavers Gallery, New York, NY \u003cbr\u003e* 2025 | EXPO CHICAGO, Richard Beavers Gallery \u003cbr\u003e* 2024 | Roots and Routes, Richard Beavers Gallery, New York, NY \u003cbr\u003e* 2022 | RBG - Our Primary Colors, Richard Beavers Gallery  \u003cbr\u003e* 2021 | Untitled Art Miami Beach, Miami, FL, Richard Beavers Gallery \u003cbr\u003e* 2021 | Good Trouble: Civil Rights Past and Present, Kentuck Art Center, Northport, \u003cbr\u003eAL \u003cbr\u003ePublic \u0026amp; Private Collections \u003cbr\u003e* Alabama Art Colony | Purchase Awards (2005, 2006) \u003cbr\u003e*    Jule    Collins    Smith    Museum    of    Fine    Art    (at Auburn University)    \u003cbr\u003e*    21c    Museum    Hotel    \u003cbr\u003e*    Montgomery Art Guild \/ Regions Bank | Montgomery, AL    \u003cbr\u003e* Private Collection of Eric G. Johnson (Vice President of the Board of Trustees (PAMM) \u003cbr\u003e* Private Collection of Reginald M. Browne (Vice Chair of the Board of Trustees at (PAFA)    \u003cbr\u003e* Private Collection of Beth Rudin DeWoody \u003cbr\u003e* Private Collection of Michael and Susan Hort  \u003cbr\u003e* Private Collection of the Late Congressman John Lewis \u003cbr\u003e   \u003cbr\u003eAwards \u0026amp; Honors \u003cbr\u003e* 2021 | Fellowship Award, Alabama State Council on the Arts \u003cbr\u003e* 2019 | Best of Show, Montgomery Art Guild and Regions Bank Exhibition \u003cbr\u003e* 2019 | Participant, Gee’s Bend Quilters Retreat (Alabama Folk School) \u003cbr\u003eCommunity Leadership \u003cbr\u003e* Founder, Black Unicorns Matter: An initiative dedicated to mentoring and \u003cbr\u003eproviding visibility for Black girls in the arts. \u003cbr\u003e* Co-Founder, DC Sparkle Squad: Using artistic outreach to promote civic \u003cbr\u003eengagement and voter registration. \u003c\/span\u003e\u003c\/p\u003e","brand":"Richard beavers","offers":[{"title":"Default Title","offer_id":52295014088986,"sku":"sbo_wisteria_lynthia_edwards","price":4200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/WhatsAppImage2026-05-20at5.59.25PM.jpg?v=1779991623"},{"product_id":"edwards-lynthia-blushing","title":"Edwards, Lynthia, (Blushing)","description":"\u003cp\u003e\"Blushing\" by Lynthia Edwards\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e22.5 x 15 inches, mixed media collage on paper, (2026) --framed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLynthia Edwards is a Birmingham, Alabama-based multidisciplinary artist \u003cbr\u003ebest known for her collage works that present the complex emotions \u003cbr\u003eassociated with Black girls’ experiences in the American South. Edwards \u003cbr\u003esources images from her current life both to channel the racial and gendered \u003cbr\u003eisolation she experienced as a child and express the limitations of her strict, \u003cbr\u003ePentecostal upbringing, with her collage subjects as distinctive versions of her \u003cbr\u003eyounger self.  \u003cbr\u003e\u003cbr\u003eBorn in 1978 in Alexander City, Alabama, Edwards studied at the Art Institute \u003cbr\u003eof Atlanta (AA in Graphic Design, 1998), Auburn University of Montgomery \u003cbr\u003e(B.A., Art Education, 2002), and the University of Alabama at Birmingham \u003cbr\u003e(M.A. Art Education, 2012). She is the recipient of many awards, including \u003cbr\u003ethe Purchase Award from the Alabama Art Colony in both 2005 and 2006, \u003cbr\u003eand “Best of Show” in the Montgomery Art Guild and Regions Bank \u003cbr\u003eExhibition in 2019. In 2021, she earned the Alabama State Council for the \u003cbr\u003eArts Fellow Award.  \u003cbr\u003e\u003cbr\u003eIn 2019, Edwards participated in the Gee’s Bend Quilters Retreat at the \u003cbr\u003eAlabama Folk School in Nauvoo, Alabama. She later exhibited alongside \u003cbr\u003efamed quilters Tinnie and Minnie Pettway and Claudia Pettway Charley in \u003cbr\u003eGood Trouble: Civil Rights Past and Present (February 2-March 26, 2021) at \u003cbr\u003ethe Kentuck Art Center in Northport, Alabama. Other recent exhibitions have \u003cbr\u003ebeen presented at Untitled Art Miami Beach 2021, the Gadsden Museum of \u003cbr\u003eArt and Tennessee Valley Museum of Art. Believing in its transformative \u003cbr\u003epower, she taught art for 13 years to adjudicated male offenders at the \u003cbr\u003eAlabama Department of Youth Services School District.  \u003cbr\u003e\u003cbr\u003eEdwards’ work can be found in numerous public collections and the private \u003cbr\u003ecollections of philanthropist Beth Rudin DeWoody, businessman Ric Lewis, \u003cbr\u003eand finance executive Reginald Browne. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCV:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVISUAL ARTIST \u0026amp; EDUCATOR \u003cbr\u003eEducation \u003cbr\u003e* Master of Arts in Art Education | University of Alabama at Birmingham (2012) \u003cbr\u003e* Bachelor of Arts in Art Education | Auburn University at Montgomery (2002) \u003cbr\u003e* Associate of Arts in Graphic Design | Art Institute of Atlanta (1998) \u003cbr\u003eTeaching \u0026amp; Professional Experience \u003cbr\u003eArt Educator \u003cbr\u003ei3 Academy \/ Woodlawn Community Charter School | Birmingham, AL \u003cbr\u003e* Facilitates visual arts instruction for elementary students, emphasizing the \u003cbr\u003etransformative power of creativity. \u003cbr\u003e* Develops curriculum that integrates local cultural history with contemporary \u003cbr\u003eartistic practices. \u003cbr\u003eArt Instructor \u003cbr\u003eAlabama Department of Youth Services School District | Mount Meigs, AL | (13 \u003cbr\u003eYears) \u003cbr\u003e* Utilized art as a therapeutic and rehabilitative tool for adjudicated male \u003cbr\u003eoffenders. \u003cbr\u003e* Developed specialized programming to foster self-expression and vocational \u003cbr\u003eskill-building within a secure facility. \u003cbr\u003e    \u003cbr\u003eSelected Exhibition History \u003cbr\u003eSolo Exhibitions \u003cbr\u003e* 2024 | Zippity Doo Da, Scope Miami Beach (Presented by Richard Beavers Gallery) \u003cbr\u003e* 2023 | Baptism Sunday, Richard Beavers Gallery, New York, NY \u003cbr\u003e* 2021 Solo Presentation, Gadsden Museum of Art, Gadsden, AL \u003cbr\u003e* 2021 Solo Presentation, Tennessee Valley Museum of Art, Tuscumbia, AL \u003cbr\u003eSelected Group Exhibitions \u0026amp; Art Fairs \u003cbr\u003e* 2025 | Black Joy is a Revolutionary Act, Richard Beavers Gallery, New York, NY \u003cbr\u003e* 2025 | EXPO CHICAGO, Richard Beavers Gallery \u003cbr\u003e* 2024 | Roots and Routes, Richard Beavers Gallery, New York, NY \u003cbr\u003e* 2022 | RBG - Our Primary Colors, Richard Beavers Gallery  \u003cbr\u003e* 2021 | Untitled Art Miami Beach, Miami, FL, Richard Beavers Gallery \u003cbr\u003e* 2021 | Good Trouble: Civil Rights Past and Present, Kentuck Art Center, Northport, \u003cbr\u003eAL \u003cbr\u003ePublic \u0026amp; Private Collections \u003cbr\u003e* Alabama Art Colony | Purchase Awards (2005, 2006) \u003cbr\u003e*    Jule    Collins    Smith    Museum    of    Fine    Art    (at Auburn University)    \u003cbr\u003e*    21c    Museum    Hotel    \u003cbr\u003e*    Montgomery Art Guild \/ Regions Bank | Montgomery, AL    \u003cbr\u003e* Private Collection of Eric G. Johnson (Vice President of the Board of Trustees (PAMM) \u003cbr\u003e* Private Collection of Reginald M. Browne (Vice Chair of the Board of Trustees at (PAFA)    \u003cbr\u003e* Private Collection of Beth Rudin DeWoody \u003cbr\u003e* Private Collection of Michael and Susan Hort  \u003cbr\u003e* Private Collection of the Late Congressman John Lewis \u003cbr\u003e   \u003cbr\u003eAwards \u0026amp; Honors \u003cbr\u003e* 2021 | Fellowship Award, Alabama State Council on the Arts \u003cbr\u003e* 2019 | Best of Show, Montgomery Art Guild and Regions Bank Exhibition \u003cbr\u003e* 2019 | Participant, Gee’s Bend Quilters Retreat (Alabama Folk School) \u003cbr\u003eCommunity Leadership \u003cbr\u003e* Founder, Black Unicorns Matter: An initiative dedicated to mentoring and \u003cbr\u003eproviding visibility for Black girls in the arts. \u003cbr\u003e* Co-Founder, DC Sparkle Squad: Using artistic outreach to promote civic \u003cbr\u003eengagement and voter registration. \u003c\/span\u003e\u003c\/p\u003e","brand":"Richard beavers","offers":[{"title":"Default Title","offer_id":52295050133786,"sku":"sbo_blushing_lynthia_edwards","price":4200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/WhatsAppImage2026-05-20at5.59.04PM.jpg?v=1779992506"},{"product_id":"dorsey-najee-black-snake-moan","title":"Dorsey, Najee, (Black Snake Moan)","description":"\u003cp\u003e\"Black Snake Moan\" \u003cspan\u003e b\u003c\/span\u003e\u003cspan\u003ey Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e26 x 17.5 inches, photomontage on premium archival paper, limited edition of 16, (2026) - unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio\u003c\/strong\u003e\u003cbr\u003eNajee Dorsey is an artist whose practice embraces the enduring rhythms of Black Southern life. Hailing from Blytheville, Arkansas, Dorsey’s practice is rooted in photomontage, mixed media, and layered visual storytelling. Working across photographic elements, found textures, digital collage, painting, and assemblage, Dorsey builds richly constructed images that move between personal history and collective memory. His work explores Black resistance, Southern memory, migration, music, and ancestral presence through visual worlds shaped by juke joints, lived interiors, cotton fields, and crossroads.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDorsey’s photomontage works extend this practice through a deliberate process of visual construction. Rather than reproducing a painting or presenting a single photograph, each image is built from layered fragments that are repositioned, scaled, and integrated until they form a unified composition. The completed work does not exist before this process begins; it emerges through assembly, revision, and resolution as an original image conceived specifically for the printed form.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this way, Dorsey approaches photomontage in conversation with the traditions of fine art printmaking. Much like a printmaker develops a plate, stone, or screen as the source for an edition, he builds a visual matrix through a digital layered construction. The editioned print becomes the primary expression of the artwork, carrying forward his commitment to memory, materiality, cultural storytelling, and the preservation of Black Southern life.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-start=\"200\" data-end=\"231\"\u003eAbout the Photomontage Works\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/images_404f9632-2b79-41b3-ad86-d827c58e66f5_240x240.jpg?v=1772706339\" alt=\"\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp data-start=\"233\" data-end=\"534\"\u003eNajee Dorsey’s photomontage works are original fine art prints created through a deliberate process of visual construction. Each composition is assembled from layered photographic elements, textures, and symbolic references to form a unified image that does not exist in reality prior to its creation.\u003c\/p\u003e\n\u003cp data-start=\"536\" data-end=\"750\"\u003eThese works are not reproductions of paintings or single photographs. There is no preexisting artwork being duplicated. The image is conceived, constructed, and resolved specifically for editioned print production.\u003c\/p\u003e\n\u003cp data-start=\"752\" data-end=\"1041\"\u003eMuch like a traditional printmaker develops a plate, stone, or screen as a matrix for an edition, Dorsey builds a visual matrix through layered assembly. The edition is the original and intended form of the artwork — not secondary to another medium, but the primary expression of the idea.\u003c\/p\u003e\n\u003cp data-start=\"1043\" data-end=\"1123\"\u003eEach work is produced in a controlled, limited edition and signed by the artist.\u003c\/p\u003e\n\u003chr data-start=\"1125\" data-end=\"1128\"\u003e\n\u003ch2 data-start=\"1130\" data-end=\"1154\"\u003eCollector FAQ Section\u003c\/h2\u003e\n\u003ch3 data-start=\"1156\" data-end=\"1190\"\u003eAre these works reproductions?\u003c\/h3\u003e\n\u003cp data-start=\"1191\" data-end=\"1377\"\u003eNo. These are original fine art prints. The image does not exist before the edition is created. There is no painting or single photograph being copied. The print is the original artwork.\u003c\/p\u003e\n\u003chr data-start=\"1379\" data-end=\"1382\"\u003e\n\u003ch3 data-start=\"1384\" data-end=\"1408\"\u003eIs this photography?\u003c\/h3\u003e\n\u003cp data-start=\"1409\" data-end=\"1661\"\u003eWhile photographic elements may be incorporated, the final composition is constructed through layering, repositioning, scaling, and integration of multiple sources. The process aligns more closely with fine art printmaking than traditional photography.\u003c\/p\u003e\n\u003chr data-start=\"1663\" data-end=\"1666\"\u003e\n\u003ch3 data-start=\"1668\" data-end=\"1725\"\u003eWhat makes this different from a giclée reproduction?\u003c\/h3\u003e\n\u003cp data-start=\"1726\" data-end=\"1968\"\u003eA reproduction duplicates an artwork that already exists in another form. Dorsey’s photomontage works are conceived specifically for print. The edition is the first and only intended form of the artwork, produced in a limited, controlled run.\u003c\/p\u003e\n\u003chr data-start=\"1970\" data-end=\"1973\"\u003e\n\u003ch3 data-start=\"1975\" data-end=\"2009\"\u003eAre the works limited edition?\u003c\/h3\u003e\n\u003cp data-start=\"2010\" data-end=\"2150\"\u003eYes. Each composition is released in a signed, limited edition. Once the edition including proofs (A.P) sells out, no additional prints of that image are produced.\u003c\/p\u003e\n\u003chr data-start=\"2152\" data-end=\"2155\"\u003e\n\u003ch3 data-start=\"2157\" data-end=\"2206\"\u003eHow should collectors categorize these works?\u003c\/h3\u003e\n\u003cp data-start=\"2207\" data-end=\"2442\"\u003eThese works fall within the lineage of contemporary fine art printmaking. The process is rooted in image construction and matrix development, aligning conceptually with lithography, screenprint, and other traditional print disciplines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"203\" data-end=\"295\"\u003e\u003cstrong data-start=\"203\" data-end=\"295\"\u003eAs editions sell through and availability decreases, prices increase accordingly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"297\" data-end=\"320\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Najee Dorsey","offers":[{"title":"1\/16 - unframed","offer_id":52306830229786,"sku":"sbo_najee_dorsey_black_snake_moan_1","price":2000.0,"currency_code":"USD","in_stock":true},{"title":"2\/16 -unframed","offer_id":52306830262554,"sku":"sbo_najee_dorsey_black_snake_moan_2","price":2000.0,"currency_code":"USD","in_stock":true},{"title":"3\/16 - unframed","offer_id":52306830295322,"sku":"sbo_najee_dorsey_black_snake_moan_3","price":2000.0,"currency_code":"USD","in_stock":true},{"title":"Framed Edition","offer_id":52306840617242,"sku":"sbo_najee_dorsey_black_snake_moan_framed","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/BlackSnakeMoan_007f1d35-816a-4014-8f4d-773704cd5b5e.jpg?v=1780416062"},{"product_id":"dorsey-najee-black-snake-moan-1","title":"Dorsey, Najee, (Nina's Home)","description":"\u003cp\u003e\"Nina's Home\" \u003cspan\u003e b\u003c\/span\u003e\u003cspan\u003ey Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e30 x 21.5 inches, photomontage on premium archival paper, limited edition of 10, (2026) - unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio\u003c\/strong\u003e\u003cbr\u003eNajee Dorsey is an artist whose practice embraces the enduring rhythms of Black Southern life. Hailing from Blytheville, Arkansas, Dorsey’s practice is rooted in photomontage, mixed media, and layered visual storytelling. Working across photographic elements, found textures, digital collage, painting, and assemblage, Dorsey builds richly constructed images that move between personal history and collective memory. His work explores Black resistance, Southern memory, migration, music, and ancestral presence through visual worlds shaped by juke joints, lived interiors, cotton fields, and crossroads.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDorsey’s photomontage works extend this practice through a deliberate process of visual construction. Rather than reproducing a painting or presenting a single photograph, each image is built from layered fragments that are repositioned, scaled, and integrated until they form a unified composition. The completed work does not exist before this process begins; it emerges through assembly, revision, and resolution as an original image conceived specifically for the printed form.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this way, Dorsey approaches photomontage in conversation with the traditions of fine art printmaking. Much like a printmaker develops a plate, stone, or screen as the source for an edition, he builds a visual matrix through a digital layered construction. The editioned print becomes the primary expression of the artwork, carrying forward his commitment to memory, materiality, cultural storytelling, and the preservation of Black Southern life.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-start=\"200\" data-end=\"231\"\u003eAbout the Photomontage Works\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/images_404f9632-2b79-41b3-ad86-d827c58e66f5_240x240.jpg?v=1772706339\" alt=\"\" style=\"margin-right: 10px; margin-bottom: 10px; float: left;\"\u003e\u003c\/div\u003e\n\u003cp data-start=\"233\" data-end=\"534\"\u003eNajee Dorsey’s photomontage works are original fine art prints created through a deliberate process of visual construction. Each composition is assembled from layered photographic elements, textures, and symbolic references to form a unified image that does not exist in reality prior to its creation.\u003c\/p\u003e\n\u003cp data-start=\"536\" data-end=\"750\"\u003eThese works are not reproductions of paintings or single photographs. There is no preexisting artwork being duplicated. The image is conceived, constructed, and resolved specifically for editioned print production.\u003c\/p\u003e\n\u003cp data-start=\"752\" data-end=\"1041\"\u003eMuch like a traditional printmaker develops a plate, stone, or screen as a matrix for an edition, Dorsey builds a visual matrix through layered assembly. The edition is the original and intended form of the artwork — not secondary to another medium, but the primary expression of the idea.\u003c\/p\u003e\n\u003cp data-start=\"1043\" data-end=\"1123\"\u003eEach work is produced in a controlled, limited edition and signed by the artist.\u003c\/p\u003e\n\u003chr data-start=\"1125\" data-end=\"1128\"\u003e\n\u003ch2 data-start=\"1130\" data-end=\"1154\"\u003eCollector FAQ Section\u003c\/h2\u003e\n\u003ch3 data-start=\"1156\" data-end=\"1190\"\u003eAre these works reproductions?\u003c\/h3\u003e\n\u003cp data-start=\"1191\" data-end=\"1377\"\u003eNo. These are original fine art prints. The image does not exist before the edition is created. There is no painting or single photograph being copied. The print is the original artwork.\u003c\/p\u003e\n\u003chr data-start=\"1379\" data-end=\"1382\"\u003e\n\u003ch3 data-start=\"1384\" data-end=\"1408\"\u003eIs this photography?\u003c\/h3\u003e\n\u003cp data-start=\"1409\" data-end=\"1661\"\u003eWhile photographic elements may be incorporated, the final composition is constructed through layering, repositioning, scaling, and integration of multiple sources. The process aligns more closely with fine art printmaking than traditional photography.\u003c\/p\u003e\n\u003chr data-start=\"1663\" data-end=\"1666\"\u003e\n\u003ch3 data-start=\"1668\" data-end=\"1725\"\u003eWhat makes this different from a giclée reproduction?\u003c\/h3\u003e\n\u003cp data-start=\"1726\" data-end=\"1968\"\u003eA reproduction duplicates an artwork that already exists in another form. Dorsey’s photomontage works are conceived specifically for print. The edition is the first and only intended form of the artwork, produced in a limited, controlled run.\u003c\/p\u003e\n\u003chr data-start=\"1970\" data-end=\"1973\"\u003e\n\u003ch3 data-start=\"1975\" data-end=\"2009\"\u003eAre the works limited edition?\u003c\/h3\u003e\n\u003cp data-start=\"2010\" data-end=\"2150\"\u003eYes. Each composition is released in a signed, limited edition. Once the edition including proofs (A.P) sells out, no additional prints of that image are produced.\u003c\/p\u003e\n\u003chr data-start=\"2152\" data-end=\"2155\"\u003e\n\u003ch3 data-start=\"2157\" data-end=\"2206\"\u003eHow should collectors categorize these works?\u003c\/h3\u003e\n\u003cp data-start=\"2207\" data-end=\"2442\"\u003eThese works fall within the lineage of contemporary fine art printmaking. The process is rooted in image construction and matrix development, aligning conceptually with lithography, screenprint, and other traditional print disciplines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-start=\"203\" data-end=\"295\"\u003e\u003cstrong data-start=\"203\" data-end=\"295\"\u003eAs editions sell through and availability decreases, prices increase accordingly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-start=\"297\" data-end=\"320\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Najee Dorsey","offers":[{"title":"1\/10 - unframed","offer_id":52314258014490,"sku":"sbo_najee_dorsey_nina's_home_1_of_10","price":2200.0,"currency_code":"USD","in_stock":false},{"title":"2\/10 -unframed","offer_id":52314258047258,"sku":"sbo_najee_dorsey_nina's_home_2of10","price":2200.0,"currency_code":"USD","in_stock":true},{"title":"3\/10 - unframed","offer_id":52314258080026,"sku":"sbo_najee_dorsey_nina's_home_3of10","price":2200.0,"currency_code":"USD","in_stock":true},{"title":"Framed Edition","offer_id":52314258112794,"sku":"sbo_najee_dorsey_nina's_home_framed","price":2700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/ninashomenajeedorsey.jpg?v=1780579018"},{"product_id":"dorsey-najee-when-hip-hop-traveled-south","title":"Dorsey, Najee, (When Hip Hop Traveled South)","description":"\u003cp\u003e\"When Hip Hop Traveled South\" \u003cspan\u003e b\u003c\/span\u003e\u003cspan\u003ey Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e30 x 13.5 inches, photomontage on premium archival paper, limited edition of 10, (2026) - unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio\u003c\/strong\u003e\u003cbr\u003eNajee Dorsey is an artist whose practice embraces the enduring rhythms of Black Southern life. Hailing from Blytheville, Arkansas, Dorsey’s practice is rooted in photomontage, mixed media, and layered visual storytelling. Working across photographic elements, found textures, digital collage, painting, and assemblage, Dorsey builds richly constructed images that move between personal history and collective memory. His work explores Black resistance, Southern memory, migration, music, and ancestral presence through visual worlds shaped by juke joints, lived interiors, cotton fields, and crossroads.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDorsey’s photomontage works extend this practice through a deliberate process of visual construction. Rather than reproducing a painting or presenting a single photograph, each image is built from layered fragments that are repositioned, scaled, and integrated until they form a unified composition. The completed work does not exist before this process begins; it emerges through assembly, revision, and resolution as an original image conceived specifically for the printed form.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this way, Dorsey approaches photomontage in conversation with the traditions of fine art printmaking. Much like a printmaker develops a plate, stone, or screen as the source for an edition, he builds a visual matrix through a digital layered construction. The editioned print becomes the primary expression of the artwork, carrying forward his commitment to memory, materiality, cultural storytelling, and the preservation of Black Southern life.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"231\" data-start=\"200\"\u003eAbout the Photomontage Works\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/images_404f9632-2b79-41b3-ad86-d827c58e66f5_240x240.jpg?v=1772706339\"\u003e\u003c\/div\u003e\n\u003cp data-end=\"534\" data-start=\"233\"\u003eNajee Dorsey’s photomontage works are original fine art prints created through a deliberate process of visual construction. Each composition is assembled from layered photographic elements, textures, and symbolic references to form a unified image that does not exist in reality prior to its creation.\u003c\/p\u003e\n\u003cp data-end=\"750\" data-start=\"536\"\u003eThese works are not reproductions of paintings or single photographs. There is no preexisting artwork being duplicated. The image is conceived, constructed, and resolved specifically for editioned print production.\u003c\/p\u003e\n\u003cp data-end=\"1041\" data-start=\"752\"\u003eMuch like a traditional printmaker develops a plate, stone, or screen as a matrix for an edition, Dorsey builds a visual matrix through layered assembly. The edition is the original and intended form of the artwork — not secondary to another medium, but the primary expression of the idea.\u003c\/p\u003e\n\u003cp data-end=\"1123\" data-start=\"1043\"\u003eEach work is produced in a controlled, limited edition and signed by the artist.\u003c\/p\u003e\n\u003chr data-end=\"1128\" data-start=\"1125\"\u003e\n\u003ch2 data-end=\"1154\" data-start=\"1130\"\u003eCollector FAQ Section\u003c\/h2\u003e\n\u003ch3 data-end=\"1190\" data-start=\"1156\"\u003eAre these works reproductions?\u003c\/h3\u003e\n\u003cp data-end=\"1377\" data-start=\"1191\"\u003eNo. These are original fine art prints. The image does not exist before the edition is created. There is no painting or single photograph being copied. The print is the original artwork.\u003c\/p\u003e\n\u003chr data-end=\"1382\" data-start=\"1379\"\u003e\n\u003ch3 data-end=\"1408\" data-start=\"1384\"\u003eIs this photography?\u003c\/h3\u003e\n\u003cp data-end=\"1661\" data-start=\"1409\"\u003eWhile photographic elements may be incorporated, the final composition is constructed through layering, repositioning, scaling, and integration of multiple sources. The process aligns more closely with fine art printmaking than traditional photography.\u003c\/p\u003e\n\u003chr data-end=\"1666\" data-start=\"1663\"\u003e\n\u003ch3 data-end=\"1725\" data-start=\"1668\"\u003eWhat makes this different from a giclée reproduction?\u003c\/h3\u003e\n\u003cp data-end=\"1968\" data-start=\"1726\"\u003eA reproduction duplicates an artwork that already exists in another form. Dorsey’s photomontage works are conceived specifically for print. The edition is the first and only intended form of the artwork, produced in a limited, controlled run.\u003c\/p\u003e\n\u003chr data-end=\"1973\" data-start=\"1970\"\u003e\n\u003ch3 data-end=\"2009\" data-start=\"1975\"\u003eAre the works limited edition?\u003c\/h3\u003e\n\u003cp data-end=\"2150\" data-start=\"2010\"\u003eYes. Each composition is released in a signed, limited edition. Once the edition including proofs (A.P) sells out, no additional prints of that image are produced.\u003c\/p\u003e\n\u003chr data-end=\"2155\" data-start=\"2152\"\u003e\n\u003ch3 data-end=\"2206\" data-start=\"2157\"\u003eHow should collectors categorize these works?\u003c\/h3\u003e\n\u003cp data-end=\"2442\" data-start=\"2207\"\u003eThese works fall within the lineage of contemporary fine art printmaking. The process is rooted in image construction and matrix development, aligning conceptually with lithography, screenprint, and other traditional print disciplines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-end=\"295\" data-start=\"203\"\u003e\u003cstrong data-end=\"295\" data-start=\"203\"\u003eAs editions sell through and availability decreases, prices increase accordingly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"320\" data-start=\"297\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Najee Dorsey","offers":[{"title":"1\/10 - unframed","offer_id":52338738987290,"sku":"sbo_najee_dorsey_when_hip_hop_traveled_south_1","price":3000.0,"currency_code":"USD","in_stock":true},{"title":"2\/10 -unframed","offer_id":52338739020058,"sku":"sbo_najee_dorsey_when_hip_hop_traveled_south_2","price":3000.0,"currency_code":"USD","in_stock":true},{"title":"3\/10 - unframed","offer_id":52338739052826,"sku":"sbo_najee_dorsey_when_hip_hop_traveled_south_3","price":3000.0,"currency_code":"USD","in_stock":true},{"title":"Framed Edition","offer_id":52338739085594,"sku":"sbo_najee_dorsey_when_hip_hop_traveled_south_framed","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/WhenHipHopTraveledSouth.jpg?v=1781117661"},{"product_id":"dorsey-najee-spirit-of-rosewood","title":"Dorsey, Najee, (Spirit of Rosewood)","description":"\u003cp\u003e\"Spirit of Rosewood\" \u003cspan\u003e b\u003c\/span\u003e\u003cspan\u003ey Najee Dorsey\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e30 x 17 inches, photomontage on premium archival paper, limited edition of 10, (2026) - unframed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist Bio\u003c\/strong\u003e\u003cbr\u003eNajee Dorsey is an artist whose practice embraces the enduring rhythms of Black Southern life. Hailing from Blytheville, Arkansas, Dorsey’s practice is rooted in photomontage, mixed media, and layered visual storytelling. Working across photographic elements, found textures, digital collage, painting, and assemblage, Dorsey builds richly constructed images that move between personal history and collective memory. His work explores Black resistance, Southern memory, migration, music, and ancestral presence through visual worlds shaped by juke joints, lived interiors, cotton fields, and crossroads.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eDorsey’s photomontage works extend this practice through a deliberate process of visual construction. Rather than reproducing a painting or presenting a single photograph, each image is built from layered fragments that are repositioned, scaled, and integrated until they form a unified composition. The completed work does not exist before this process begins; it emerges through assembly, revision, and resolution as an original image conceived specifically for the printed form.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn this way, Dorsey approaches photomontage in conversation with the traditions of fine art printmaking. Much like a printmaker develops a plate, stone, or screen as the source for an edition, he builds a visual matrix through a digital layered construction. The editioned print becomes the primary expression of the artwork, carrying forward his commitment to memory, materiality, cultural storytelling, and the preservation of Black Southern life.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-end=\"231\" data-start=\"200\"\u003eAbout the Photomontage Works\u003c\/h2\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003cimg style=\"margin-right: 10px; margin-bottom: 10px; float: left;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/images_404f9632-2b79-41b3-ad86-d827c58e66f5_240x240.jpg?v=1772706339\"\u003e\u003c\/div\u003e\n\u003cp data-end=\"534\" data-start=\"233\"\u003eNajee Dorsey’s photomontage works are original fine art prints created through a deliberate process of visual construction. Each composition is assembled from layered photographic elements, textures, and symbolic references to form a unified image that does not exist in reality prior to its creation.\u003c\/p\u003e\n\u003cp data-end=\"750\" data-start=\"536\"\u003eThese works are not reproductions of paintings or single photographs. There is no preexisting artwork being duplicated. The image is conceived, constructed, and resolved specifically for editioned print production.\u003c\/p\u003e\n\u003cp data-end=\"1041\" data-start=\"752\"\u003eMuch like a traditional printmaker develops a plate, stone, or screen as a matrix for an edition, Dorsey builds a visual matrix through layered assembly. The edition is the original and intended form of the artwork — not secondary to another medium, but the primary expression of the idea.\u003c\/p\u003e\n\u003cp data-end=\"1123\" data-start=\"1043\"\u003eEach work is produced in a controlled, limited edition and signed by the artist.\u003c\/p\u003e\n\u003chr data-end=\"1128\" data-start=\"1125\"\u003e\n\u003ch2 data-end=\"1154\" data-start=\"1130\"\u003eCollector FAQ Section\u003c\/h2\u003e\n\u003ch3 data-end=\"1190\" data-start=\"1156\"\u003eAre these works reproductions?\u003c\/h3\u003e\n\u003cp data-end=\"1377\" data-start=\"1191\"\u003eNo. These are original fine art prints. The image does not exist before the edition is created. There is no painting or single photograph being copied. The print is the original artwork.\u003c\/p\u003e\n\u003chr data-end=\"1382\" data-start=\"1379\"\u003e\n\u003ch3 data-end=\"1408\" data-start=\"1384\"\u003eIs this photography?\u003c\/h3\u003e\n\u003cp data-end=\"1661\" data-start=\"1409\"\u003eWhile photographic elements may be incorporated, the final composition is constructed through layering, repositioning, scaling, and integration of multiple sources. The process aligns more closely with fine art printmaking than traditional photography.\u003c\/p\u003e\n\u003chr data-end=\"1666\" data-start=\"1663\"\u003e\n\u003ch3 data-end=\"1725\" data-start=\"1668\"\u003eWhat makes this different from a giclée reproduction?\u003c\/h3\u003e\n\u003cp data-end=\"1968\" data-start=\"1726\"\u003eA reproduction duplicates an artwork that already exists in another form. Dorsey’s photomontage works are conceived specifically for print. The edition is the first and only intended form of the artwork, produced in a limited, controlled run.\u003c\/p\u003e\n\u003chr data-end=\"1973\" data-start=\"1970\"\u003e\n\u003ch3 data-end=\"2009\" data-start=\"1975\"\u003eAre the works limited edition?\u003c\/h3\u003e\n\u003cp data-end=\"2150\" data-start=\"2010\"\u003eYes. Each composition is released in a signed, limited edition. Once the edition including proofs (A.P) sells out, no additional prints of that image are produced.\u003c\/p\u003e\n\u003chr data-end=\"2155\" data-start=\"2152\"\u003e\n\u003ch3 data-end=\"2206\" data-start=\"2157\"\u003eHow should collectors categorize these works?\u003c\/h3\u003e\n\u003cp data-end=\"2442\" data-start=\"2207\"\u003eThese works fall within the lineage of contemporary fine art printmaking. The process is rooted in image construction and matrix development, aligning conceptually with lithography, screenprint, and other traditional print disciplines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-end=\"295\" data-start=\"203\"\u003e\u003cstrong data-end=\"295\" data-start=\"203\"\u003eAs editions sell through and availability decreases, prices increase accordingly.\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3 data-end=\"320\" data-start=\"297\"\u003e\u003cbr\u003e\u003c\/h3\u003e","brand":"Najee Dorsey","offers":[{"title":"1\/10 - unframed","offer_id":52338980290842,"sku":"sbo_najee_dorsey_spirit_of_rosewood_1","price":3000.0,"currency_code":"USD","in_stock":true},{"title":"2\/10 -unframed","offer_id":52338980323610,"sku":"sbo_najee_dorsey_spirit_of_rosewood_2","price":3000.0,"currency_code":"USD","in_stock":true},{"title":"3\/10 - unframed","offer_id":52338980356378,"sku":"sbo_najee_dorsey_spirit_of_rosewood_3","price":3000.0,"currency_code":"USD","in_stock":true},{"title":"Framed Edition","offer_id":52338980389146,"sku":"sbo_najee_dorsey_spirit_of_rosewood_Framed","price":3500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0261\/3941\/files\/SpiritofRosewood.jpg?v=1781118137"}],"url":"https:\/\/www.blackartinamerica.com\/collections\/detroit-links-exhibition.oembed","provider":"Black Art In America™ Gallery \u0026 Gardens","version":"1.0","type":"link"}